The Wolf of Wall Street

Back from my long sabbatical, and what better way to bring the reviews back than with a Martin Scorcese film?

In the late 1980's, greed-obsessed stockbroker Jordan Belfort (Leonardo DiCaprio) sets up a boiler room to sell penny stocks to unsuspecting investors. After being motivated to pursue his dream of greed by his first boss, Mark Hanna, (Matthew McConaughey) Jordan recruits Donnie Azoff (Jonah Hill) to set up his own firm: Stratton Oakmont. Through the ridiculous commissions he makes off each penny stock sold through his own firm, Belfort's wealth increases as exponentially as does his raging drug habit throughout the 1980's and into the 1990's.

A lot has been made about the film and its controversial subject matter including the unlimited usage of drugs and rampant sexuality. While this film does provide heavy doses of both, it also is a solidly funny dark comedy in what can best be described as, labeled online: "Scarface for douchebags".

At three hours, including credits, does the film feel longer than it needs to be? Yes. Martin Scorcese is a master storyteller, which this film continues to prove, but also, after a while, the film does become repetitive in it's showcasing of Jordan's excess. Editor Thelma Schoonmaker does edit the film to keep the pacing well maintained, but a story like this really doesn't need to have the running time that it does.

Leonardo DiCaprio is an actor who gets better as his career progresses. Though I am not sure this is his best role, my personal preference being The Departed, this is a powerful performance that only few actors could have pulled off as well as Leonardo DiCaprio does. Jonah Hill is solid, though his character seems to come and go only when the plot needs to, likewise FBI Agent Patrick Denham (Kyle Chandler) who begins snooping into Jordan's firm and the legality of it.

Lastly, Matthew McConaughey's Mark Hanna shows up early and only for a brief time. Mark takes Jordan under his wing and gives him all the information required to be a millionaire: namely a reliance on cocaine. The small role is fun and a very enjoyable cameo brought forth by Matthew McConaughey, who continues to showcase himself as an actor who is continuously getting better. See Killer Joe or look at all the accolades he is receiving for his work in Dallas Buyer's Club to understand what I mean.

Is this Martin Scorcese's best film ever? Honestly, no. There are some problems with the film: length and a somewhat unfocused story being the main culprits. Is it the best film of the year? Again, no. There are films released in 2013 that I felt were better overall. Is this Martin Scorcese still near the top of his game? Absolutely. The Wolf of Wall Street may not be the best film of the year, but it is still a very good film and should be seen by all to watch Martin Scorcese and Leonardo DiCaprio fire on all cylinders.

7.7/10

Domestic Box Office Prediction - June 14-16 2013

Ok, so I picked a really bad week to try and predict the box office with The Purge earning way more than expected. Live and learn I guess.

This week, 2 new releases come forth including one of this Summer's largest offerings: Man of Steel. From director Zack Snyder (300, Watchmen) and producer Christopher Nolan (who has been mentioned more than the director, I might add) is the newest attempt at bringing Superman to the big screen. After the somewhat failure of Superman Returns, Warner Bros. brings a new reboot starring Henry Cavill in the title role.

There appears to be more buzz surrounding this reiteration of Superman than Returns and superheroes have never been more of a hot commodity than now. The posters and trailers have varied from slow-build to all-out action, which should appeal to the masses.

Along with the name recognition, a lot of promotion has focused on Christopher Nolan as part of the project. Linking his name and The Dark Knight trilogy will certainly add more viewers, though his influence is substantially low compared with The Dark Knight trilogy. With Marvel and their superhero films making a constant profit, Superman and the decades of good will that it has amassed, will certainly bring Warner Bros. good news.

The other new wide release, trying to get a jump start on Man of Steel by opening Wednesday, is the ensemble comedy This Is The End. From writer/director/star Seth Rogen and writer/director Evan Goldberg comes this end of the world comedy that features many regulars from the Rogen/Goldberg stable including: Jonah Hill, James Franco, Danny McBride, Craig Robinson and Jay Baruchel. The story revolves around the aforementioned actors playing fictional versions of themselves at a party just when the apocalypse happens.

Riding a wave of solid reviews (currently 83% approval rating on Rotten Tomatoes) and a slate of known actors, this R-rated film should skewer towards the younger, male crowd. Already taking over $7 million dollars, this film should have no trouble securing second place over this weekend, obviously behind Man of Steel.

Beyond those films, the rest of the holdovers will struggle to grab the crumbs from Man of Steel and This Is The End. Last week's champ, The Purge, should fall considerably after mediocre word of mouth hit. Like most horror films, a steep plunge would not be out of the ordinary. The Internship should continue to bomb as reviews for the film have been terrible with Owen Wilson and Vince Vaughn wishing that it were 2005 again.

My prediction for this week's top 5 are:

Man of Steel - $147.2 million
This Is The End - 41.4 million
The Purge - $12.1 million
Now You See Me - $11.6 million
Fast & Furious 6 - $11.2 million

Django Unchained

As the holidays come to a close, I bring you the most heart-warming film of the holiday season.

Obviously, there is plenty of sarcasm to that statement, but also, this is a story about a man looking to reunite with his true love. The man I speak of is Django, (Jamie Foxx) a slave who has been separated from his wife, Broomhilda (Kerry Washington).

German dentist-turned bounty hunter, Dr. King Schultz (Christoph Waltz) finds Django deep in Texas and recruits him to help hunt down the Brittle Brothers. As Django has seen the Brittle Brothers and Dr. Schultz hasn't, Django proves to be useful. In return for Django's help, Dr. Schultz offers to train Django to be a bounty hunter, make him a free man and ultimately, help Django reunite with his wife.

After dispatching of the Brittle Brothers, Dr. Schultz makes good on his word. Dr. Schultz and Django are able to locate the whereabouts of Broomhilda. It is revealed that Broomhilda is owned by Calvin Candie, (Leonardo DiCaprio) a sadistic plantation owner who specializes in mandingo fighting at his plantation: Candie Land. Dr. Schultz and Django pose as men looking to buy a mandingo fighter from Calvin and hope to have Broomhilda thrown into the deal as well. The plan seems to sit well with everyone except for Calvin's house slave, Stephen, (Samuel L. Jackson) who does not trust Dr. Schultz or Django and might be one step ahead of our titular heroes.

Now, a lot of controversy has surrounded this movie regarding the use of the word "nigger". I wholeheartedly hate racism, and truly do not believe someone should be oppressed just due to their skin color. As Quentin Tarantino has set this movie in 1858/9, there are obvious reasons to believe that black men and woman would be referred to by this word. The word itself is not thrown out gratuitously and not there as shock value for the audience. The characters who utter this word use it as their normal speech. This is obviously not America's proudest moment in history, but it still is a chapter in the American history books.

Getting passed the elephant in the room, this is one of Quentin Tarantino's best movies. The film is filled with humor that (most of the time) hits the area it was aiming for. When not laughing, the violence in this film might turn some people away. Myself, I was actually glad to see blood squibs used instead of gaudy CGI blood (I'm looking at you The Departed and Expendables franchise). Granted some might think that the blood flow in this film may be excessive, I thoroughly enjoyed seeing actual blood fly. Maybe it was the fact it seemed like Paul Verhooven circa 1990 had filmed the more violent scenes? I don't know, but I enjoyed it immensely.

Two performances really stand out in this film. First, Christoph Waltz's Dr. King Schultz is a nice guy and a man of his word. In essence, Dr. Schultz is the nice guy version of Colonel Hans Landa from Inglourious Basterds. He's charming when he needs to be and cold-blooded when the situation calls for it. Even more impressive, though, is Samuel L. Jackson's Stephen. What initially starts out as spoof of this type of role, turns much more complex. Stephen really is smarter than Calvin Candie and knows it. He has worked so long at Candie Land, that he is faithful to Calvin and would do anything to protect Calvin's interests and the interests of Candie Land.

The major issue I had with this film, and the only reason it is not my favorite film of the year comes from the editing, mostly regarding the ending. Django Unchained is a leisurely-paced film and moves from one scene to the next when it feels like it. The results of this leaves a lot of fat on the film. Most of the unnecessary scenes are entertaining and don't drag the film down much, but the scene involving Jonah Hill stood out as the first scene that should have been cut. This is an overly-long scene that doesn't add anything to the film (especially how it is placed into the middle of an action scene) and is there only for humorous reasons.

Besides that scene, the last 15-20 minutes of this movie finds Quentin Tarantino's script wandering aimlessly in search for an ending. Django is placed into an almost impossible situation to escape from. Once that is resolved, we are treated to Django being put into a situation that hasn't been mentioned before with a bunch of characters we haven't met (including an awful cameo by QT himself). Django then needs to get out of this situation and wrap up the remaining story threads. I am not sure how Quentin could have ended the movie, but I really wish he chose a different way then what he went with.

Overall, this is one of the year's best and shouldn't be missed just because of the controversy. See the movie and judge for yourself.

8.1/10