Inherent Vice

So....where to begin with this one.

Dope head, Larry "Doc" Sportello is visited by his ex-girlfriend, Shasta Fay Hepworth (Katherine Waterston) regarding Mickey Wolfmann, (Eric Roberts) Shasta's current lover. Shasta claims that a plot is being put into motion to have Mickey placed into an insane asylum by Mickey's wife. While looking into the query, Doc accidentally becomes the prime suspect in a murder.

After being questioned by Detective Christian "Bigfoot" Bjornsen (Josh Brolin) about the murder. Doc gets turned on to a case about a missing musician: Coy Harlingen (Owen Wilson). Once finding Coy alive and well, Doc realizes that he is spiraling down further into a case about the mysterious: "Golden Fang". With drugs and killer hair, Doc continues to march on in an attempt to solve the cases.

Honestly, those paragraphs barely scratch the surface of what is a truly meandering, yet highly-enjoyable film from Paul Thomas Anderson. The film seems to feel within the wheelhouse, though, of PT Anderson with multiple characters jockeying for screen time amongst a convoluted and dense plot. Joaquin Phoenix does a solid job as the drug-hazed Doc who really does not understand the plot, along with the audience, as he stumbles from one clue to the other. Josh Brolin, though, stands out as the tough-as-nails, yet vulnerable Bigfoot. His gruff persona acts as a stark contrast to the others in the film. And you'll never have more fun watching someone eat a frozen banana.

Not having read the book by Thomas Pynchon that the film is based off, Inherent Vice the film is more about the characters and setting. Throwing out what seems to be a plot that's more confusing than the film deserves, I gave up trying to follow what was going on and just enjoyed the ride. And if you can get over not really caring about where the story is leading (if it's leading anywhere) then there is enough enjoyment within the stable of actors that PT Anderson has corralled.

My main issue doesn't actually come regarding the film; but moreso with PT Anderson himself. I am still a huge fan, yet am growing worried with his film as of late that seem to disregard plot and focus more on just acting. I have enjoyed The Master and Inherent Vice, but wish that a more substantial (or in Inherent Vice's case) reduced plot to make a more entertaining movie-going experience. Both, this film and The Master have been enjoyable, I just wish there was a little less meandering and more focus on a streamlined plot.

As is, Inherent Vice will be a film that divides people, but I came away with a film that I enjoyed throughout and am glad I experienced it.

7.0/10

The Grand Budapest Hotel

Wes Anderson drops his latest film upon us, and if you weren't a fan of his before, it will continue that way.

Set mainly in a fictional European country in the 1930's, The Grand Budapest Hotel tells the story of Zero (Tony Revolori) who trains as a lobby boy of the titular hotel, under the tutelage of Monsieur Gustave (Ralph Fiennes). Monsieur Gustave runs the hotel like a well-oiled machine and ensures that all guests are promptly taken care of, especially the females.

One female in particular, Madame Celine Villeneuve Desgoffe-und-Taxis aka Madame D (Tilda Swinton) eventually is found dead under suspicious circumstances. As Monsieur Gustave took special care of her during her time at the Grand Budapest Hotel, a journey begins where Monsieur Gustave takes Zero to Madame D's will reading. As Madame D's family expects to be bequeathed all of her fortune, the family is shocked that Monsieur Gustave has been granted a very expensive painting. This especially enrages Madame D's son, Dmitri Desgoffe-und-Taxis (Adrien Brody) who employs his loyal assassin J.G. Jopling (Willem Dafoe) to try and stop Monsieur Gustave and retrieve the painting.

This really is only the start of the plot and does not include an extended prison sequence featuring Harvey Keitel or the brief cameos by Anderson regulars Bill Murray and Owen Wilson. Edward Norton also shows up, sporting an ungodly accent, as an inspector that is really forced by the screenplay into tying up the remainder of the plot.

The film itself is filled to the brim with all of the standard Wes Anderson tropes that you have come to expect. The film may not be making fun of itself, but also really doesn't push any new limits that you haven't seen before from a Wes Anderson film. In regards to Wes Anderson films, this doesn't reach the heights of his latest efforts like Moonrise Kingdom or Fantastic Mr. Fox and certainly doesn't compare to my personal favorite: The Royal Tenenbaums.

As it is, though, with most Wes Anderson films, you know what you are getting, and this film certainly provides that. Even when Wes Anderson doesn't give you his best film, it's still better than most of what's currently playing at the cinema.

7.8/10

Domestic Box Office Prediction - June 7-9 2013

Been a while since I last updated the site, and as usual, I do apologize. As movies for me have been hard to come by lately, I am going to offer my box office predictions each week. As I know nothing and am not, "in the know" as they say, odds are I will be way off. This is just something for me to blog about and see how far off I can be on box office predictions when I try.

Kicking off my first attempt at providing a box office prediction is a slow week in the middle of the Summer movie season. 2 new wide releases are opening and neither will make for a record weekend. Opening in 3,365 theaters, you have Google: The Movie The Internship. Directed by Shawn Levy (Night at the Museum, Cheaper by the Dozen) the film stars Vince Vaughn and Owen Wilson as new hires within Google. The commercials have shown a film that appears to be tired and lazy and really only about promoting the true star of the film: Google.

Vince Vaughn has had a rough couple of years at the box office. The last 2 films that he has top-lined: The star-studded "comedy" The Watch and Ron Howard's misfire The Dilemma both tanked at the box office. Vince Vaughn has plenty of hits within his resume, but unfortunately, most of those films were early on his resume. The good news for Vince Vaughn is that his last hit was the PG-13 comedy Couples Retreat, which has the same rating as The Internship. The bad news is that Couples Retreat was four years ago.

Owen Wilson finds himself in the same boat as Vince Vaughn. Box office hits have been really hard to come by lately. Not even releasing a film in 2012, we have to go back to 2011 to see Owen Wilson's box office track record. Cars 2 was a hit, but with that film being a Pixar film, it would have made money with or without Owen Wilson as the star. Midnight in Paris was a moderate hit (especially for Woody Allen standards) but was not setting the box office on fire. The remaining 2 films from 2011: The Big Year and Hall Pass were quickly forgotten and disappeared from the box office as quickly as they arrived.

Both Vince Vaughn and Owen Wilson need a hit, and I'm sure this looked like a can't miss idea. Re-team the duo from Wedding Crashers, direct them by a director who makes safe films with big returns, and this would be a slam dunk. Unfortunately, this film is not 2005 and The Internship will struggle to make it's $58 million dollar budget back domestically.

The other wide release is the small-budgeted, but high-concept; The Purge. With only a budget of $3 million dollars and starring Ethan Hawke, The Purge tells the story of a futuristic America, where one day of the year, all crime is legal for a 12 hour period. Ethan Hawke plays a family man who must survive The Purge with his family as citizens try to attack them in their home.

Coming from hit producer Michael Bay and his Platinum Dunes producing company, the small-budgeted film lacks the usual pizzazz of Summer fare, but offers the audience a different type of film as counter-programming. Ethan Hawke is coming off the similarly-produced Sinister, which became a solid hit over the Fall of 2012, and may help The Purge over perform even more than it already will. I would look for The Purge to contend for the box office lead against stale holdovers and the limp-looking The Internship.

Beyond the new releases, the remaining holdovers might hold better than past weeks due to the weak competition. Now You See Me might hold the best as the numbers during the week show the film doing solid business. Now You See Me will again contend with Fast and Furious 6 while After Earth will plummet after its disappointing opening weekend and bad word of mouth.

My prediction for this week's top 5 are:

The Purge - $19.7 million
Now You See Me - $17.7 million
Fast and Furious 6 - $17.3 million
The Internship - $16.2 million
Epic - $10.3 million

I know I will be way off, but this is just something fun. Hope you enjoy it.